Artist: The Black Keys Album: Brothers Released: 2010 Style: Blues Rock Format: MP3 231Kbps Size: 94 Mb Tracklist: 01 – Everlasting Light 02 – Next Girl 03 – Tighten Up 04 – Howlin’ For You 05 – She’s Long Gone 06 – Black Mud 07 – The Only One 08 – Too Afraid to Love You 09 – Ten Cent Pistol 10 – Sinister Kid 11 – The Go Getter 12 – I’m Not the One 13 – Unknown Brother 14 – Never Give You Up 15 – These Days DOWNLOAD LINKS: HITFILE: BUY 0.05 USD PER TRACK Previously on NewAlbumReleases.net:. February 7, 2013 -. October 25, 2012 -. November 6, 2011.
EDITORS’ NOTES Dan Auerbach and Patrick Carney's muscular, blues-based indie riffs broke through to the rock mainstream with Brothers. Recorded at Alabama's legendary Muscle Shoals Sound Studio during a period of intra-band tension related to Auerbach's nascent solo career and Carney's fractious divorce, the duo's sixth album puts that angst directly into the songs. The combination of Southern rock grooves and biting lyrics is most potent on the grinding single 'Howlin' for You' and the bass-heavy throb of 'Next Girl.”. EDITORS’ NOTES Dan Auerbach and Patrick Carney's muscular, blues-based indie riffs broke through to the rock mainstream with Brothers. Recorded at Alabama's legendary Muscle Shoals Sound Studio during a period of intra-band tension related to Auerbach's nascent solo career and Carney's fractious divorce, the duo's sixth album puts that angst directly into the songs. The combination of Southern rock grooves and biting lyrics is most potent on the grinding single 'Howlin' for You' and the bass-heavy throb of 'Next Girl.”.
It's too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities - their names are color-coded, they hail from the Midwest, they're guitar-and-drum blues-rock duos - but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaced in the Stripes. But that's not to say that the Black Keys are blues traditionalists: even on their 2002 debut, The Big Come Up, they covered the Beatles' psychedelic classic 'She Said She Said,' indicating a fascination with sound and texture that would later take hold on such latter-day albums as 2008's Attack & Release, where guitarist Dan Auerbach and drummer Patrick Carney teamed up with sonic architect Danger Mouse. In between those two records, the duo established the Black Keys as a rock & roll band with a brutal, primal force, and songwriters of considerable depth, as evidenced on such fine albums as 2003's Thickfreakness and 2004's Rubber Factory. Natives of Akron, Ohio, the Black Keys released their debut, The Big Come Up, in 2002, receiving strong reviews and sales, and leading to a contract with Fat Possum by the end of the year. That label released Thickfreakness, recorded in a 14-hour session, in the spring of 2003, and the Keys supported the album with an opening tour for Sleater-Kinney.
The Black Keys' momentum escalated considerably with their 2004 album Rubber Factory, which not only received strong reviews but some high-profile play, including a video for '10 A.M. Automatic' featuring comedian David Cross. The band's highly touted live act was documented on a 2005 DVD, released the same year as Chulahoma - an EP of blues covers - appeared. The Black Keys made the leap to the major labels with 2006's Magic Potion, a moodier record that continued to build their fan base. The band capitalized on that moodiness with 2008's Attack & Release, whose production by Danger Mouse signaled that the Black Keys were hardly just blues-rock purists. Salvaged from sessions intended as a duet album with Ike Turner, who died before the record could be finished, the album was the Black Keys' biggest to date, debuting in the Billboard Top 15 and earning strong reviews.
Following their second live DVD, the Black Keys spent 2009 on side projects, with Auerbach releasing his solo album Keep It Hid in the beginning of the year, and Carney forming the band Drummer, in which he played bass. At the end of 2009, Blakroc, a rap-rock collaboration between the band and producer Damon Dash, appeared. Brothers, released in 2010, became their biggest album yet, generating the hit singles 'Tighten Up,' 'Howlin' for You,' and 'Next Girl.' It also saw the Keys returning to their tough blues roots with a new grandness, earning three Grammy Awards, landing on year-end lists from NPR to Rolling Stone, and going gold. The band offered a more straight-ahead rock & roll sound with 2011's El Camino. On the strength of the hit single 'Lonely Boy,' El Camino debuted at number two on Billboard's Top 200 and the Black Keys worked the album hard throughout the next year, releasing 'Gold on the Ceiling' as the record's second single and touring heavily.
In the fall of 2012, the Tour Rehearsal Tapes EP - a brief collection of live-in-the-studio run-throughs of 2012 material - was released. Once again tapping Danger Mouse to produce a follow-up, the band went back into the studio in summer 2013 to record. Standing in contrast to the short, spiky rock & roll of El Camino, Turn Blue had a psychedelic undercurrent that could be heard on its preceding singles 'Fever' and 'Turn Blue.'
The album appeared early in May 2014 and promptly debuted at the top of the pop charts. Stephen Thomas Erlewine.
. ' Released: April 23, 2010. 'Ohio' Released: 2010. 'Next Girl' Released: 2010. ' Released: January 25, 2011 Brothers is the sixth studio album by American duo. Co-produced by the group, Mark Neill, and, it was released on May 18, 2010 on.
Brothers was the band's commercial breakthrough, as it sold over 73,000 copies in the United States in its first week and peaked at number three on the, their best performance on the chart to that point. The album's lead single, ', the only track from the album produced by Danger Mouse, became their most successful single to that point, spending 10 weeks at number one on the chart and becoming the group's first single on the, peaking at number 87 and was later certified gold.
The second single, ', went gold as well. In April 2012, the album was certified platinum in the US by the for shipping over one million copies.
It also went double-platinum in Canada and gold in the UK. In 2011, it won three, including honors for. Contents.
Background Tensions had grown within the band by 2009, and the two embarked on side projects. Guitarist/vocalist was introduced to engineer Mark Neill through friend, and with his assistance built his own analogue home studio at his home in (later named Easy Eye Sound System), and in late 2007, the two convened in Neill's home to record.
The sessions became Auerbach's solo debut, which was released in February 2009 on to positive reviews. Drummer, who had not been informed of Auerbach's solo plans, was livid: 'Everybody knew but me.
I was mad at Dan. I was mad at our manager. I was mad at everybody.'
Carney was afraid Auerbach had moved on and was on the verge of quitting the band; the two hardly spoke for several months and another Black Keys recording was uncertain. Auerbach, who had played Carney the recordings but failed to mention it would see release, found it increasingly difficult to communicate with the drummer due to his antipathy for Carney's then-wife, Denise Grollmus. Auerbach said, 'I really hated her from the start and didn't want anything to do with her.' Carney realized his anger was misdirected as he was coming off a rough divorce. He and Grollmus were married for two years but together for nine. According to the drummer, his ex-wife slept with his best friend, lied to him for several years and bilked him for money.
By the end of the relationship, Carney was depressed, drinking heavily, and had gained 25 pounds. 'Homeboy was miserable,' Auerbach said of his bandmate 'He was being manipulated mentally and emotionally.' Carney eventually broke off the relationship with a phone call while his wife was in Europe. Eventually, Auerbach and Carney met to discuss how important the band was to both of them.
'Then we hugged and made up and it's been all good ever since,' said Auerbach. The duo soon met at Neill's La Mesa home and got to work on several ideas, notably recording 'These Days', which would ultimately become the closing track on Brothers.
Things moved carefully in La Mesa when conversations shifted to Neill's old studio in Georgia. The three began discussing heading down South to complete the bulk of the album in a historic old studio. And in, as well as Robin Hood Studios in were contenders, and the band even considered an old hall in Neill's home town of. The band desired, most of all, to get out of town and have the tracks imbued with a Southern kind of atmosphere. Logistical problems immediately surfaced with both Sun and Phillips, and Auerbach suggested. Muscle Shoals, located in northwestern, opened in April 1969 and hosted several legendary acts, most famously and, before it moved from its original location on Jackson Highway in 1978 to a larger, more modern facility. The studio was closed in 2005 and had not seen recording in nearly 30 years, most recently having operated as a poorly maintained museum.
The studio was on a short list of legendary venues where Auerbach had always wanted to record. Neill contacted Noel Webster, the musician and entrepreneur responsible for refurbishing the old studio, who cut the band a 'good day rate, albeit with the clear understanding that we were getting nothing but an empty building with a bathroom, and yes, air conditioning. So we knew right from the start that we really would be trucking in our own equipment.' Recording and production. Brothers was the first album recorded in 30 years at 's famous.
Neill, Auerbach, and Carney arrived at Muscle Shoals Sound on August 16, 2009—coincidentally 40 years to the day singer-songwriter cut ' at the studio, the first hit record to originate from the building. The group hauled a truckload of Auerbach's equipment from Easy Eye Sound System in Akron, as well as Neill's personal gear from California. Neill's equipment included portions of a Universal Audio 610 (the same desk featured during the early days of Muscle Shoals) and a late 1950s Pultec mixer, as well as a 10:2 monitoring mixer originally designed for recording. The studio was very much a museum when they arrived—they found vintage recording gear that no longer operated, along with photos on the walls of legendary performers, such as, who had once recorded there. Auerbach immediately took down the photos, feeling they were distracting decorations.
The band put a piece of on top of the studio's non-functional console to hold their own equipment. The group experienced technical difficulties while recording. However, they were not caused by the studio, but rather by utility work on nearby telephone poles. Some of Neill's equipment was wrecked, including burned-out microphones. Compositions were kept very simple due to technical limitations. Neill said, 'Thanks to the Studer mixer, we seldom went beyond 10 tracks.'
He occasionally had to resort to digital sources; as the studio's downstairs were long gone, Neill attached a mono digital reverberator to the Studer console. He also provided additional guitar and percussion parts during the sessions. The musicians stayed at the Shoals in and woke early each morning, eating breakfast at a local before arriving at the studio by 10 a.m. Entering the sessions, Carney had a negative mindset due to his divorce. He said, 'At the time it was really, really difficult for me because I had just split with my wife after a nine-year relationship and the last place I wanted to be was the middle of fucking nowhere in Alabama, sitting in a dark room.' The first song recorded at Muscle Shoals, 'Next Girl', helped shape the direction of the sessions. Auerbach's lyrics for the song about moving on resonated with the 'bummed-out and spacey' Carney, and Auerbach noticed an improvement in his bandmate's mentality immediately after he heard them.
Auerbach said, 'When he heard the lyrics, he was just so stoked. The rest of the session it was smooth sailing.'
'Next Girl' was first cut with Carney playing drums and Auerbach playing bass, without or the band's more usual guitar. The group continued to use a rhythm-first approach throughout the sessions, recording a basic of drums and bass before guitar, keyboards, vocals, and percussion later. This imbued several songs, such as 'Everlasting Light', ', and 'Sinister Kid', with a bass-driven sound.
Neill found the emphasis on bass was also a result of the studio's acoustics: “ It’'s because of the construction of that building. It's very odd: the acoustics are really different, the control room has this real mid‑range 'bark', and as a result you tend to mix things a certain way. So much so that when you go out to the car or listen through your ear buds back at the hotel, you suddenly realise, 'Jeez, I've done this completely differently.'
You realise that it's because of that room that those early MSS productions were mixed the way they were, with the kick drum and bass really loud and present. And there I was, all those years later, doing the exact same thing—just flooring the kick and bass in order to hear it properly! But you can get away with it, because the floors in the main room have a lot of give, they're flexible kind of like a trampoline, and so they were acting like a bass trap, soaking up a lot of the low end. Add to that the bass deficiency inside the control room, and you were forced to add back the lows that were missing in the first place.
It was like magic. ” The group found their time at Muscle Shoals to be productive and inspirational, as they recorded all day in 'a kind of focused frenzy' with a sense of immediacy. Neill recalled, 'Things were happening that were very, very transcendent, as soon as they began playing. First few takes, we literally couldn't believe what we were hearing. Dan and Pat were kind of looking at each other saying, 'That doesn't even sound like us.' Much of the songs crafted were based on 'idea fragments' that had been cut beforehand as demos at both Neill's and Auerbach's studios, but eventually evolved into entirely different creations as the sessions progressed.
The band recorded 10 of the 15 tracks on Brothers in their 10 days at the studio. Due to the long hours working in the studio, Neill, Auerbach, and Carney generally only had time to kill at night when fewer retailers are open. Furthermore, Sheffield was remote and isolated; Neill said, 'What they were complaining about is that at night, after we were done, they wanted to go swarm around and do something. There's nothing. I told them that before we went out. Unless you want to go see a movie or something, or go to and stand around under the fluorescent lights. So what did we do?
We went to Walmart.' Carney said that the trio were 'just so bored that we were getting so fucked up every night at the hotel,' and one drunken night the group stayed up watching clips of. The following day, the musicians showed up at the studio and found a. The band's manager had received a drunken voicemail from the band the night before asking for a harpsichord.
The trio soon grew restless for a change, and after finalizing the tenth and final song at Muscle Shoals, the band left town. Back in La Mesa, Neill tweaked the multitracks, then filed the recordings away and awaited further instruction. The Black Keys eventually decided to re-work the overtly swampy tracks from Muscle Shoals using more modern machinery, and they subsequently employed producer Tchad Blake to re-mix their songs. Promotion The album's first single was ', which became The Black Keys' most successful single to that point, being the group's first song to chart on and reach number one on the and charts.
Horn of Buzzbin Magazine described the song: 'The song intros with the distinct whistling from 's composition, backed up by Carney's monster thump drumming and Auerbach's soulful vocal offerings.' Famed producer Danger Mouse, who produced Attack and Release, produced the song, which was recorded at Brooklyn's.' As the label asked director to do a placeholder video for 'Tighten Up' as a teaser for the album, he made a low-budget video for the song, released in April 2010, with The Black Keys alongside a dinosaur puppet named Frank.
Later that month, another Piliero teaser video was released, with Frank singing 'Next Girl' alongside bikini-clad models. The official 'Tighten Up' video, directed by Piliero, was released on May 18, 2010. An official video for the song ' was released on February 10, 2011. Directed by Chris Marrs Piliero, the video parodied action movie trailers and starred, and.
It was nominated for the 2011. The band appeared as the musical guest on the American sketch comedy television show on January 8, 2011, performing 'Howlin for You' and 'Tighten Up'. The third season finale of used the song ' as an outro song. Packaging. The Black Keys performing in 2011 The album's art direction was designed by, the brother of drummer. Michael wanted a change from their illustration-driven covers, and devised a simple approach, littered with messages that identify everything, such as the front saying, 'This is an album by The Black Keys. The name of this album is Brothers'.
Nonesuch was initially perplexed, but once the label's marketing department approved it, he went with it. Michael said taking risks with an unconventional packaging added an incentive to purchasing physical copies, while acknowledging the minimalistic cover also helped with digital copies given 'it does jump out on the page'. In 2011, Michael won the. The packaging is designed to resemble a jacket, with the old Nonesuch logo on the front cover in the lower left, and the words 'STEREO SOUND' in the upper right. The album was released as a 12-inch double.
The Brothers art was compared to the front cover design of 's 1969 album, which reads, 'This is Howlin' Wolf's new album.' Auerbach and Carney have both stated repeatedly that Howlin' Wolf was one of their greatest influences. When first opened, the label on the disc is almost entirely black.
However, the label is heat-sensitive and turns white when played in a disc player for a long enough time. The label can also be revealed by touching the disc. On finding the heat-sensitive ink Carney told the, 'Before we started the design, I talked to the people at the label and said I'd heard of this ink. Literally, every ink supplier was contacted.
People are really open to making new packaging.' On Australian copies of the album, the disc is white with black text; on the European copies the disc is silver with black text. Included in the album sleeve is a poster with the lyrics on the back. The font used, is used on the iconic Muscle Shoals Sound Studio (where the album was recorded) '3614 Jackson Highway' board and has been used by other bands, including on, by, the first three of albums, 's and the cover of.
Reception Professional ratings Aggregate scores Source Rating 82/100 Review scores Source Rating B+ B+ 8/10 7.7/10 Brothers garnered critical acclaim. According to review aggregator website, the album has an average critic review score of 82/100. Magazine placed the album at No. 2 on the Best Albums of 2010 and 'Everlasting Light' at No. 11 on the Best Songs of 2010.
The album was also featured on 's Top 40 Albums of 2010 and Paste magazine's 50 Best Albums of 2010. Ranked it number seven on its list of 2010's Top 10 Albums. The album was also included in the book. The album was nominated for five 2011 the biggest win being beating out eventual winner,. The single ' won the award for and was nominated for.
'Black Mud' was nominated for. The fifth nomination was for, which Michael Carney won for designing the album artwork. Brothers was also the band's commercial breakthrough, as it sold over 73,000 copies in the United States in its first week and peaked at number three on the, their best performance on the chart to that point.
By the time follow-up was about to be released in 2011, Brothers had sold 814,000 copies in the U.S. Track listing All tracks written by and, except where noted. Title Length 1. 'Everlasting Light' 3:24 2.
Sharon Gutman at Columbia University Medical Center, this randomized, controlled study of 29 adults with light sleep difficulties compared three non-pharmacological sleep interventions: the Dreampad pillow with Intrasound Technology, an audio breathing program called iRest™, and sleep hygiene (sleep improvement behavior such as reducing food, alcohol and screen time before bed). Keygen music download. Gutman, PhD, OTR, FAOTA, Associate Professor, Columbia University Medical Center Summary: Conducted by Dr. The most statistically significant results of the study were the reduction in night time awakenings experienced by Dreampad users. COMPARATIVE EFFECTIVENESS OF THREE OCCUPATIONAL THERAPY SLEEP INTERVENTIONS Sharon A. Waking during the night is the number one symptom reported by those with stress related sleep problems as well as the number one problem reported by the study participants.
'Next Girl' 3:18 3. 'She's Long Gone' 3:06 6.
'Black Mud' 2:10 7. 'The Only One' 5:00 8.
'Too Afraid to Love You' 3:25 9. 'Ten Cent Pistol' 4:29 10. 'Sinister Kid' 3:45 11. 'The Go Getter' 3:37 12. 'I'm Not the One' 3:49 13. 'Unknown Brother' 4:00 14.
' (, and ) 3:39 15. 'These Days' 5:12 Bonus Tracks No. Title Length 16. 'Ohio' (7' vinyl or free download for members of the band's website) 4:29 17. 'Howlin' for You (feat. Prins Thomas Diskomiks)' (Available on iTunes) 7:27 Personnel The Black Keys. – vocals, guitars, bass guitar, keyboards.
– drums, percussion Production. –.
Torrent Albums Download
Brian Lucey –. Mark Neill – production, Charts and certifications. Phillips, Amy (March 2, 2010). Retrieved February 6, 2011. Archived from on November 15, 2012. Retrieved October 29, 2012.
Retrieved 2011-02-12. Archived from on February 1, 2012. Retrieved March 21, 2011. ^ Simons, Dave (August 2011). ^ Eells, Josh (May 27, 2010). 'Two Against Nature'.
Rolling Stone (1108): 48–80. Simpson, Dave (December 1, 2011). Retrieved February 6, 2012. Hiatt, Brian (January 19, 2012). (1148): 38–41, 66. Retrieved February 17, 2012.
^ Carlson, Sarah (May 14, 2010). ^ White, Shelley (May 14, 2010). March 30, 2011. Retrieved March 30, 2011. Buzzbin Magazine. Retrieved March 30, 2011.
Dombal, Ryan (June 22, 2010). Retrieved 2013-04-06.
Seattle Weekly. May 19, 2010. Retrieved March 30, 2011. May 18, 2010.
Retrieved March 30, 2011. February 10, 2011. Retrieved March 31, 2011. Retrieved January 10, 2012. February 10, 2011. Retrieved January 10, 2012. Retrieved January 10, 2012.
Retrieved February 8, 2011. ^ Browne, David (August 12, 2011). ^ Kennedy, Gerrick D. (February 13, 2011). Los Angeles Times. Retrieved March 31, 2011.
Saufley, Charles (July 20, 2010). Premier Guitar. Paul (April 20, 2013). Retrieved October 30, 2011.
Retrieved February 6, 2011. Murray, Noel (May 18, 2010). Retrieved October 30, 2011. Greenblatt, Leah (May 21, 2010). Retrieved February 6, 2011. Dean, Will (May 13, 2010). Retrieved October 30, 2011.
Gill, Andy (May 14, 2010). Archived from on May 24, 2010. Retrieved October 30, 2011. Stokes, Paul (May 13, 2010). Archived from on March 4, 2016.
Retrieved October 30, 2011. Fitzmaurice, Larry (May 19, 2010). Retrieved February 6, 2011. 'The Black Keys: Brothers'.
(May 17, 2010). Retrieved February 6, 2011. 'The Black Keys: Brothers'. Retrieved February 6, 2011. Retrieved February 6, 2011.
Retrieved February 8, 2011. Retrieved February 8, 2011. Suddath, Claire (December 9, 2010). Retrieved December 14, 2011. Robert Dimery; Michael Lydon (2014). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition.
The Akron Beacon Journal. December 2, 2010. Retrieved March 30, 2011. May 26, 2010. Retrieved February 6, 2011.
Retrieved December 15, 2011. Retrieved July 24, 2012. Retrieved June 26, 2016.
Offizielle Deutsche Charts. Retrieved August 15, 2015. Retrieved June 26, 2016.
Retrieved June 26, 2016. Retrieved August 15, 2015. Prometheus Global Media. Retrieved January 27, 2015. Prometheus Global Media. Retrieved February 6, 2015.
Prometheus Global Media. Retrieved February 19, 2013. Prometheus Global Media. Retrieved February 19, 2013. Prometheus Global Media. Retrieved January 27, 2015. Prometheus Global Media.
Retrieved February 6, 2015. Prometheus Global Media. Retrieved February 19, 2013. Select albums in the Format field. Select Gold in the Certification field. Enter Brothers in the search field and then press Enter.
If necessary, click Advanced, then click Format, then select Album, then click SEARCH External links.
GenYoutube is a fast Youtube video downloader service. Now download videos in all formats from Youtube using GenYoutube video downloader.
Using GenYoutube you can download any type of videos from the Youtube. Using it you can search the videos also and can play them too before downloading. You can even search the episodes and movies and download them. Search results can the sorted on the basis of relevance, view count, title, rating and publish date.
Now you can download songs, movies, episodes, trailers, clips or any Youtube video without visitng the Youtube site with hassle free controls and beautiful responsive UI. Currently It supports 55 formats of video downloads. GenYoutube provides Youtube video downloads in mp4, webm, m4a, 3gp and 3D formats which ranges from mobile friendly to HDTV resolution. It can download Vevo videos, age-restricted videos, region protected videos. It also supports new formats which recently Youtube rolled out. GenYoutube is based on super fast script which can handle a number of downloads simultaneously. So you will never any downloading speed issue.
So enjoy downloading videos from Youtube using GenYoutube and showcase, watch and listen to the ocean of never ending digital video download stream.